When Haydn found it the symphony was just a distinguished sort of party Symphony, not only in style but above all in status. Source: MUSIC IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES Author(s): Richard TaruskinĪs Landon has noted, the “Surprise” Symphony “has justly become a symbol for all Haydn’s music.” 14 That is not only because the symphony became the emblematic Haydn genre but also because of the way Haydn transformed the THE CULMINATING WORK Chapter: CHAPTER 10 Instrumental Music Lifts Off Norms And Deviations: Creating Musical Meaning.Chapter 10 Instrumental Music Lifts Off.Standardized Genres and Tonal Practices.Chapter 5 The Italian Concerto Style and the Rise of Tonality-driven Form.Dido And Aeneas And The Question Of “English Opera”.Ayres And Suites: Harmonically Determined Form.Chapter 3 Courts Resplendent, Overthrown, Restored.
Lutheran Adaptations: The Chorale Partita.
Contents Music In The Seventeenth And Eighteenth Centuries